Earplug
We introduce our music reviewer, Richard
Greentree from The Beta Band.
As your reviewer of music and associated media, I guess I should introduce myself
to you the reader, for you to better understand my style of communication and
why I might be qualified to deliver opinions on the world of art and music. Firstly
my name is Richard Greentree and I am currently a working musician.
Secondly
I am in fact no way qualified to deliver pinions on anything of the sort. Which
in this field actually makes me perfect for the job. Having been a windsurfer
since the age of thirteen when I began to learn the
sport, I sailed obsessively for eleven years, until drifting into the music
industry cut my sailing time down to around twice a year.
Then on my return to the south coast at the start
of 2004 with a milk white studio
tan, a 35 kilo homemade Twinser and a set of the best dacron sails twenty quid
could buy, I figured it might be a good time to re-enter the sport.
So my good childhood friend, Jem Hall, dug me out
some more "contemporary" equipment and I got my
first sail in at sunny Southsea in Portsmouth in a cross
shore Force 5, fell right back into it and landed myself
this here job telling you about the music you will need
to make yourself into the rounded and well versed individual
you've always known you could be. Alternately it’s
just a good opportunity for me to impose my musical
taste on unsuspecting windsurfers.
The idea is to bring
you two to four suggestions of music each issue,
some will be new releases, some will be old classics
and some will be obscure vinyl from the depths of my
collection, that I never even listen to, but will give
me the air of authority needed to validate my opinion.
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Artists
name: |
The
Streets |
Album: |
A grand don't come for
free |
Code: |
(679LO70CD) |
In these crazy times where the more retro
sounding a band is, the more likely they are
to be lauded as the future, Mike Skinner has
achieved the unthinkable and created the real
sound of the present. As with most truly great
music you will probably love it or
totally hate it. If you love it then you are most likely someone that
appreciates music for its originality, quality, fresh sound, great grooves,
sweet melodies and fantastic lyrical content.
If not then you are most likely the guy that
can’t see why anyone
would listen to all this "new fangled music made by computers
with some kid talking over it rubbish" when you can buy perfectly
re-mastered 'Best of Wings' compilations in almost every motorway services
for half the price! And after years of laughing at anyone stupid enough
to get a mobile phone, your on your way up the M6 right now, stopping
at every 'Moto' to upgrade your c.d. collection, proudly wearing your
new motorola handsfree earpiece and praying someone will ring you.
They won't.
'A grand don't come for free' by The Streets,
there is no reason not to buy it. |
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Artists
name: |
Prince
Far I and the Arabs |
Album: |
Message from the King |
Code: |
(CAR 49915) |
Most music has a place it is best heard in.
If you have just driven 100 miles to sail at
your favourite beach, the sun is shining, a
cross shore force six is blowing and you are
coming round the bend that will reveal the
days playground, then 'Give it away' by the
Chilli Peppers is going to sound more at home than ‘Simon and Garfunkels
'Scarborough fair'. Of course even that is a matter of taste. If you
were unlucky enough to park next to me when you got down to the beach,
you'd be rigging up to the 'duelling banjos' from the Deliverance soundtrack
and wandering if it said anything in the Audi manual about leaving your
vehicle next to people who drive pre-war pick up trucks and windsurf
in cut down dungarees. I digress, but you know what I mean. Music conjures
mood and mood needs a soundtrack.
That’s why I feel everyone should own
a slice of good quality reggae. It is a music
that is so versatile in its placement. Try
it when your digging the garden, or when cooking
your dinner, or on the beach at the end of
a great days action. I am sure it will conjure
you a mood. I just hope it’s not one
of anger at this reviewer, if it turns out
its not to be your preferred smoke.
Though if you feel you would like to experience
the wisdom of the dub prophet style then Prince
Far I is a good place to start. Heavy bass,
great percussion, skanking guitars, eerie horns
and organs and simple, timeless messages. These
records can be hard to find though, so if your
local vendor draws a blank on this one, then
try him with maybe 'Best dressed chicken in
town' by Dr. Alimantado, or 'C.B. 200' from
Dillinger. If he is still staring with incomprehension,
while pointing weakly to a rack of Dido CD’s,
then bid him good day and find a new bar keep,
or go on-line
and..... no, no, no, I didn't say that. |
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Artists
name: |
The
Clash |
Album: |
Rude Boy - The movie
'Special Edition' DVD |
Code: |
(FHED1705) |
The Clash were a band that held roots reggae
very closely, and as for times when its influence
has blended with another genre, here being
punk rock, and culminated in a perfect marriage,
there couldn't be a finer example.
Check out the live footage on this special
edition DVD of the classics, 'White man in
Hammersmith Palais', 'Police and Thieves' ,
all the performances on this disc show a band
with the kind of raw energy and emotion that
most "rock" bands today would hand
in their tight charity shop trousers and dirty
plimsolls for. Joe Strummer is a legend. The
Clash were amazing.
As for the film itself, it may not be a cinematic
masterpiece but it does give insight to a time
when things were really happening, in music,
in youth culture and in those youths cultural
understanding of political issues. In a perfect
world The Clash would have received government
funding for the education they gave a generation,
but in a perfect world they might not have
existed, what a consolation they are. |
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